Do You Hate Standing in Line?
Apparently, so does Minsuk Cho, Columbia University- and Rem Koolhaas- trained starchitect helming the firm Mass Studies.
Apparently, so does Minsuk Cho, Columbia University- and Rem Koolhaas- trained starchitect helming the firm Mass Studies.
The home decor in director Satyajit Ray’s movie Charulata is a perfect metaphor for the identity crisis of India’s bourgeoisie.
Samsara-esque music and visuals from multi-hyphenate Kishi Bashi and animator Tomoki Kurogi
Who could have imagined that political machinations from the height of the Cold War would reverberate on Youtube fifty years later?
Questions of identity in an increasingly globalized, confusing world are foremost on the minds of young Asian filmmakers.
The relatively understated Chinese objet d’art had to bejewel itself to meet the tastes of customers in the Mughal and Persian markets.
Till the seventeenth century, pink was markedly absent from Chinese visual culture. In art, there was a traditional preference for monochromes. Artists would even…
There are two Balis: “Bali,” the seeker’s paradise of the Eat, Pray, Love set, and the other Bali, a less penetrable, more complex place. “Bali” was born out of the other Bali’s dialogues with European orientalists and the Indonesian state.
Where are all the non-Western artists in the global marketplace of ideas?
Alain Soldeville’s photos of the transgender community in Singapore in the 1980s are startlingly intimate.
The material an artist choses to work with reveals much about the way she views herself. Take this nineteenth century box from what was then Burma, for example:
The photo series Longing by Prabuddha Dasgupta (1956-2012) is, in his own words, an “ongoing personal journal of memory and
Summarizing the development of art in the West, the artist Chen Hengke (1876-1923) described Western painting as typically faithful to forms
Whatever happened to “Glocal”? An amalgam of the words “global” and “local,” it was the corporate buzzword of the late Nineties.